Literature and Photographs of Roger Fenton in the Context of Victorianism
DOI:
https://doi.org/10.18485/kis.2021.53.173.17Keywords:
Victorian literature, Alice in Wonderland, poem about a wounded deer, Roger Fenton’s photographs, photo-literature, deer-man transformation, wounded soldier, dead soldierAbstract
In this paper, we bring together Victorian literature, primarily Alice in Wonderland by Lewis Carroll and the poem about a wounded deer by Emily Dickinson, and Roger Fenton’s photographs from the Crimean War and his photographs of deer. Thereby, a parallel is drawn between the powerful symbolism of the deer and its transformation in Victorian literature on the one hand, and the depiction of a wounded soldier in Fenton’s photographs. By comparing scenes from war photographs, deer photographs, and the photograph of a wounded soldier, with scenes described in Victorian literature, we try to penetrate deeper into the photograph itself, using the richness of the literary language. We also discover that which photography and its visual language make very clear to us, which literature has either missed or needs too many words to achieve a similar effect. Considering that the relationship between literature and photography, in the context of the so-called photo-literature, is extremely complex, we try to shed some light on it using a modest sample of segments drawn from a few works of literature, and photographs by Roger Fenton.
References
Adams, J. E., Pendergast, T. and Pendergast, S. (eds.). Encyclopedia of the Victorian Era. New York: Grolier Academic Reference, 2004.
Baetens, J., Streitberger, A. and Gelder, H. V. (eds.). Time and Photography. Leuven: Leuven University Press, 2010.
Balakian, P. "Photography, Visual Culture, and the Armenian Genocide", In: Fehrenbach, H and Rodogno, D. (eds.). Humanitarian Photography: A History. Cambridge: Cambridge University Press, 2015. 89-115. CrossRef
Baldwin, G. Roger Fenton: Pasha and Bayadère. Los Angeles: Getty Museum Studies on Art, 1996.
Balwin, G, Daniel, M. and Greenough, S. All the Mighty World: The Photographs of Roger Fenton, 1852-1860. New York: The Metropolitan Museum of Art, 2004.
Bart, R. Svetla komora: beleška o fotografiji. Beograd: Kulturni centar Beograda, 2011.
Bate, D. Photography: The Key Concepts. Oxford, New York: Berg, 2009.
Borgo, M., Licata, M. and Iorio, S. "Post-mortem Photography: the Edge Where Life Meets Death?". HSS, vol. V, no. 2, 2016. 103-115. CrossRef
Brower, M. Developing Animals: Wildlife and Early American Photography. Minneapolis, London: University of Minnesota Press, 2011. CrossRef
Bryan, A. "Alice's Struggle with Imperialism: Undermining the British Empire through Lewis Carroll's Alice's Adventures in Wonderland." The Final Chapters: Concluding Papers of the Journal of Children's Literature Studies. Wizard's Tower Books, 2012. 22-33.
Bull, S. (ed.). A Companion to Photography. Oxford: Wiley Blackwell, 2020.
Camuri, G., Fossati A. and Mathpal, Y. (eds.). Deer in Rock Art of India and Europe. New Delhi: Indira Gandhi National Centre for the Arts, 1993.
Clarke, G. The Photograph. Oxford, New York: Oxford University Press; Oxford History of Art, 1990.
Conn, P. Literature in America: An Illustrated History. Cambridge: Cambridge University Press, 1989. CrossRef
Coveney, P. The Image of Childhood: The Individual and Society. London: Penguin Books, 1967.
Cunnigham, D., Fisher, A. and Mays, S. (eds.). Photography and Literature in the Twentieth Century. Cambridge: Cambridge Scholars Publishing, 2009.
Davenport, A. The History of Photography: An Overview. Albuquerque, New Mexico: University of New Mexico Press, 1999.
Davis, L. (ed.). Virginal Sexuality and Textuality in Victorian Literature. New York: State University of New York, 1993.
Dikinson, E. Poezija. Sarajevo: Svjetlost, 1988.
Flegel, M. Conceptualizing Cruelty to Children in Nineteenth-Century England: Literature, Representation, and the NSPCC. London and New York: Routledge, 2016. CrossRef
Fuko, M. Istorija seksualnosti: volja za znanjem. Beograd: Prosveta, 1982.
Fulton, R. D. and Hoffenberg, P. H. (eds.). Oceania and the Victorian Imagination: Where All Things Are Possible. London and New York: Routledge, 2016. CrossRef
Garcia, E. C. Photography as Fiction. Los Angeles: Getty Publications, 2010.
Hannavy, J. (ed.). Encyclopedia of Nineteenth-Century Photography, Volume 1, A-I. New York and London: Routledge, 2008.
Hirsch, R. Seizing the Light: A Social & Aesthetic History of Photography. New York and London: Routledge, 2017. CrossRef
Humm, M. "Memory and Photography: The Photo Albums of Virginia Woolf", In: Cunnigham, D., Fisher, A. and Mays, S. (eds.). Photography and Literature in the Twentieth Century. Cambridge: Cambridge Scholars Publishing, 2009. 42-52.
Kerol, L. Alisa u Zemlji čuda. Beograd: Zavod za udžbenike Beograd, 2006.
Klein, B. "'The natural home of Englishmen': Froude's Oceana and the Writing of the Sea", In: Burden, R. and Kohl, S. (eds.). Landscape and Englishness. Amsterdam - New York, NY: Rodopi B. V., 2006. 103-123.
Levine, G. The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterly. Chicago: University of Chicago Press, 1983.
Manfredi, C. "Pacific Phantasmagorias: Robert Louis Stevenson's Pacific Photography", In: Fulton, R. D. and Hoffenberg, P. H. (eds.). Oceania and the Victorian Imagination: Where All Things Are Possible. London and New York: Routledge, 2016. 11-31.
Mavor, C. Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs. Durham, North Carolina: Duke University Press, 1995. CrossRef
Miller, D. Animals and Animal Symbols in World Culture. London: Cavendish Square Publishing, 2014.
Morse, D. D. "'The Mark of the Beast': Animals as Sites of Imperial Encounter from Wuthering Heights to Green Mansions, In: Morse, D. D. and Danahay, M. A. Victorian Animal Dreams: Representations of Animals in Victorian Literature and Culture. Farnham: Ashgate, 2007. 181-201. CrossRef
Morse, D. D. and Danahay, M. A. Victorian Animal Dreams: Representations of Animals in Victorian Literature and Culture. Farnham: Ashgate, 2007.
Munforte, P. "The Body of Ambivalence: The 'Alive, Yet Dead' Portrait in the Nineteenth Century". Colchester: School of Philosophy and Art History at the University of Essex, 2015.
Newhall, B. The History of Photography: 1839 to the Present. New York: Museum of Modern Art, 1982.
Otten, T. After Innocence: Visions of the Fall in Modern Literature. Pittsburgh: University of Pittsburgh Press, 1982.
Rose, B., Gustavson, T. and Yano, H. "The History of the Twentieth Century Camera", In: Peres, M. R. (ed.). Focal Encyclopedia of Photography: Digital Imaging, Theory and Applications, History, and Science. Waltham, Massachusetts: Focal Press, 2007. 771-778. CrossRef
Sattaur, J. Perceptions of Childhood in the Victorian Fin-de-siècle. Cambridge: Cambridge Scholars Publishing, 2011.
Seiberling, G. and Bloore, C. Amateurs, Photography, and the Mid-Victorian Imagination. Chicago and London: The University of Chicago Press, 1986.
Sontag, S. O fotografiji. Beograd: Kulturni centar Beograda, 2009.
Sontag, S. Regarding the Pain of Others. New York: Picador, 2003. CrossRef
Sulaž, F. Estetika fotografije. Beograd: Kulturni centar Beograda, 2008.
Susina, J. The Place of Lewis Carroll in Children's Literature. London: Routledge, 2013. CrossRef
Tennyson, A. L. Poems of Alfred Lord Tennyson. London: Collins Classics, 1968.
Tugendhat, E. O smrti. Beograd: Karpos, 2010.
Warren, L. (ed.). Encyclopedia of Twentieth-century Photography, Volume 2. London and New York: Routledge, 2006. CrossRef
Weiner, N. and Kurpius, S. E. R. Shattered Innocence: A Practical Guide for Counseling Women Survivors of Childhood Sexual Abuse. Washington, DC: Taylor & Francis, 1995.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their published articles online (e.g., in institutional repositories or on their website, social networks like ResearchGate or Academia), as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).


